DESIGNED HERE. USED EVERYWHERE.
Graphic design shouldn't live in a silo. The poster, the stage graphic, the social post and the printed programme all need to feel like parts of the same thing, or the whole thing starts to come apart. We design the pieces together, in the same studio, which means the quality holds up whether it's a billboard or a story thumbnail.
GOOD DESIGN IS MOSTLY ABOUT NOT BREAKING IT.
Most brands have perfectly good guidelines. What they don't always have is someone applying them properly at three in the morning when the social team needs a stat card out by breakfast. That's where things quietly fall apart, in the hundred small decisions nobody writes down.
Guidelines cover the obvious stuff. They don't cover the tricky stuff, what to do when the logo doesn't fit, which grey is actually the grey, how much of the brand can flex before it stops feeling like the brand at all. That's where the craft lives.
Our job is to make those hundred decisions the right way. Consistently. Whether it's a keynote, a conference banner or a thumbnail, it should feel like the same brand had a hand in it.
Here's how a graphic design project usually comes together.


BRIEF
Getting to what the work actually needs to do.
Audience and use. Where it lives, who it's for.
Brand context. Guidelines, tone, existing assets.
Scope check. One asset, or a system of them?
Deadlines first. What has to land, and when.
References early. Direction locked before we design.

DESIGN
Making it, properly.
Concept work. Options that solve the brief, not decorate it.
Typographic craft. Hierarchy that reads, not just looks.
Visual systems. Repeatable, not one-off.
On-brand. Interpreting guidelines, not ignoring them.
Considered detail. Spacing, weight, rhythm.

DELIVERY
Files that actually work when you open them.
Every format needed. Print, screen, social, stage.
Tidy file structure. Named so future-you can find it.
Editable masters. For the bits you'll update yourself.
Safe handovers. Nothing hard-coded that shouldn't be.
Revisions. We expect them, we build for them.
WORK WE'RE PROUD OF.
We work with teams who care about how their message lands, and how their audience feels in the room. The brief might be a 15-hour global livestream, a four-day multi-market programme, or a monthly store visit with a camera and a 48-hour turnaround. Different rooms, different pressures, same obsession with getting it right. Here are a few of the projects we've loved making.

EA Offsite Takeover.
Global livestream
A 15-hour global livestream bringing remote teams together for an end-of-year celebration. We delivered end-to-end creative and production, concept, set, talent, content, filming and broadcast.
![]()
KFC RGMFest 2026
Award-winning event
An award-winning event we've evolved year after year. 2026 featured a multi-screen show, bespoke content, full venue branding, agenda development and a live three-channel event radio station.
![]()
Sainsbury's Periodic Updates.
Video content
Monthly internal video updates filmed in stores and distribution centres across the UK. We manage filming, graphics and fast-turnaround edits, delivering broadcast-ready videos within 48 hours.

KFC Global MPMs.
Global programme
KFC's largest global marketing event, delivering four days of content across 16 markets and multiple venues. A three-year relationship, and counting.
TELL US WHAT YOU'RE MAKING.
Fill in the form and we'll come back to you quickly, not with a generic auto-reply, but with something useful.
Prefer a call? Book a 20-minute discovery call at a time that suits you.
Rather email? studios@premier-ltd.com. Or just ring us: 0116 202 9953.
Once we hear from you, we'll set up a quick call to understand your brief properly, no lengthy questionnaires, no sales pitch.
We typically respond within two hours on working days.
QUESTIONS WE GET A LOT.
Yes. That's most of our work. We'll read the guidelines properly, then apply them with a bit of craft — because guidelines rarely cover every situation, and interpreting them well is half the skill.
Both. We can design a single asset when you need one, or build a proper brand system with templates, components and rules so your in-house team can keep the quality up when we're not in the room.
Yes. Posters, programmes, banners, signage, exhibition graphics, direct mail — we design for print regularly. We'll set the files up properly so the printer doesn't have to guess, and we can manage the print buy if that's useful.
Built into every project. We assume two or three rounds are normal and price that way. If a job genuinely keeps shifting, we'll flag it early and agree the best way to keep it moving rather than quietly racking up hours.
Yes. If you've got a set of files, a brand folder, or something someone else made that needs finishing — send it over. We'll work out what's usable, what needs rebuilding, and give you a clean, handover-ready version at the end.
What We Do.
Everything we do sits across three things: the creative that shapes the story, the content and stagecraft that makes it run, and the studios we make it all in. Some clients need one. Most need all three. Whatever the mix, the aim is the same, work that lands properly when the lights go up.
FOLLOW ALONG.
A look at what we're making, how we're making it, and the occasional thing that nearly didn't work. You'll find behind-the-scenes cuts, new projects going up, and the odd bit of studio life that probably wouldn't survive a client meeting. Straight from our Instagram, live on the page.




